The Daily Parker

Today is the 25th anniversary of the US Food and Drug Administration signing off on Pfizer's miracle drug, Sildenafil. The drug helped raise Pfizer's profits and keep them up for years, until competitors like tadalafil and vardenafil popped up and made significant market penetration.

And on the 5th of next month, WGN-TV in Chicago will turn 75. The eponymous World's Greatest Newspaper that owned WGN radio and TV for most of their lives, the Chicago Tribune, reminds us that WGN's biggest star for decades was a clown.

The Apollo Chorus annual fundraiser/cabaret is on April 1st, and tickets are still available. If you can't make it, you can still donate.

Meanwhile, in the rest of the world:

• From February, Tommy Craggs writes in New Republic that Lyndon LaRouche's zombie ideas still walk the land.
• The New York Times has collection of photos from Northern California of the atmospheric river they're getting right now.
• Annie Lowrey thinks "you should be outraged" about the Silicon Valley Bank collapse. But Molly White points out that the SVB collapse has very little to do with recent Bitcoin price swings, regardless of what the crypto-bros want you to believe.

And finally, screenings of Winnie the Pooh: Blood and Honey, the new slasher pic featuring Winnie and Piglet as serial killers, will not be shown in Hong Kong and Macau, because Chinese dictator Xi Jinping thinks it's a jab at him. Seriously.

Cassie and I hung out for a bit at Spiteful Brewery yesterday. She, of course, got pats and love from everyone. But the couple sitting next to us had a Land Camera, so she also got photographed:

These are now on display in my library.

I refuse to purchase tickets from the Live Nation/Ticketmaster monopoly, no matter how much I love the act or believe that going to a show would bring about world peace. The Cure's Robert Smith makes it clear the artists themselves hate the monopoly as well:

Hours after Ticketmaster began the “verified fan” process on March 15 to distribute tickets for the band’s first American tour in years — an additional layer of security that Smith insisted upon to prevent scalpers and astronomical prices — the front man wrote an angry screed against the company for the mandatory fees they snuck in for buyers. “I am as sickened as you all are by today’s Ticketmaster ‘fees’ debacle,” he wrote in an all-caps Twitter thread. “To be very clear, the artist has no way to limit them. I have been asking how they are justified. If I get anything coherent by way of an answer I will let you all know … There are tickets available, it is just a very slow process. I will be back if I get anything serious on the TM fees.”

One particular tweet gained virality for showcasing the extent of the company’s malpractice: A fan’s reasonable ticket price of $20 was more than doubled due to processing fees and charges.

At least The Cure have enough clout to get some changes made. Ticketmaster backed down ever so slightly from the 110% surcharges after Smith's complaints:

“After further conversation, Ticketmaster have agreed with us that many of the fees being charged are unduly high, and as a gesture of goodwill have offered a $10 per ticket refund to all verified fan accounts for the lowest ticket price transaction,” [Smith Tweeted]. “And a $5 per ticket refund to all verified fan accounts for other ticket price transactions for all Cure shows at all venues.”

Unregulated capitalism produces monopolies in short order; that's why we have regulation. But having a history degree means watching everything in the present rhyme with everything in the past. So while the monopolies of today have their moment or rapacious greed, I fully expect that we'll see some serious trust-busting soon, and then, 60 years from now, our grandchildren will have forgotten why.

As I'm feeling a bit under the weather, I will defer intelligent comments until later. Until then:

Welcome to an extra stop on the Brews and Choos project.

Brewery: Greenwood Brewing, 922 N. 5th St., Phoenix
Train line: Valley Metro Rail, Roosevelt/Central
Time from Chicago: 3½ hours by air
Distance from station: 350 m

I walked just a couple of blocks from Pedal Haus and found the kind of taproom where Cassie and I would hang out often: the woman-owned Greenwood Brewing. I enjoyed all the beers and found their space comfortable and inviting.

Once again, I had a flight and took notes.

Emera Easy Hazy IPA (3.6%): fruity, hoppy, bitterness comes around the back, nice low-alcohol beer. Herstory Pale (5.5%): bursting with hops, long finish, well-balanced. Warrior Hazy IPA (6.5%): grapefruit, blackberry, Citra, balanced, nice flavor. Rosemary IPA (7.2%): wow, lots of complexity, depth, the rosemary adds something interesting, strong, lingering finish. On second tasting, even better. Yum.

The next evening, one of the partners in my company organized a brewery tour that included both Pedal Haus and Greenwood. I tagged along but didn't drink anything except for one Rosemary IPA. That would probably be my go-to beer in Phoenix if I were exiled there.

Beer garden? Yes
Dogs OK? Yes
Televisions? No
Serves food? No; BYOF
Would hang out with a book? Yes
Would hang out with friends? Yes
Would go back? Yes

Welcome to an extra stop on the Brews and Choos project.

Brewery: Pedal Haus Brewery, 214 E. Roosevelt St., Phoenix
Train line: Valley Metro Rail, Roosevelt/Central
Time from Chicago: 3½ hours by air
Distance from station: 350 m

I discovered last week that Phoenix built a light-rail system between my visits in 2015 and 2023. And it goes past a bunch of breweries. So when I had a few hours between my flight landing and the conference welcome dinner, I went to two of them.

Pedal Haus Brewery has multiple locations, including a production facility in Tempe. The downtown Phoenix location has two levels, most of which are outside. (They don't get a lot of snow or rain in central Arizona.) I found my way to the roof and ordered a flight and took notes on my phone.

I started with the Kölsch (4.7%, 19 IBU): light, crisp, honey, pear, lingering finish. Not too bad. Next, the White Rabbit wheat WCIPA (6.5%, 48.6 IBU): subtle, some fruit, much lighter than expected. On to the Desert Classic APA (5.9%, 36 IBU): malt, apple, light banana notes, very drinkable. Finally, the Haus IPA (6.4%, 58 IBU): hoppy, nice balance, long finish. 

I also had just a taste of the Day Drinker Light lager (3.46%, 11.9 IBU) and wrote: "nose is like a Bud Light or Old Style, as is the taste, but with some complexity and flavor. Not for me, but could be life-changing to a Miller Lite drinker."

In all, not too bad, though the unavoidable TVs put a damper on my enjoyment.

Oh, and they clearly like dogs, even if fully a third of their rules concern pee:

Beer garden? Yes
Dogs OK? Yes
Televisions? Yes, ubiquitous
Serves food? Full menu
Would hang out with a book? Maybe
Would hang out with friends? Yes
Would go back? Maybe

After my work conference this week, and flying home yesterday, I had a rehearsal this morning and I've got a performance tomorrow. I'll try to catch up on some posts tomorrow morning.

The unfunny cartoonist answered a few questions from the Post:

“I shook the box intentionally. I did not realize how hard I shook it,” he told The Washington Post via text.

Adams tells The Post that his remarks that day were intended to be hyperbole, while also contending that he was responding to a larger sociopolitical narrative. He does not apologize for what he said in the episode — viewed more than 360,000 times — though he asserts that he disavows racism. Meanwhile, on a follow-up “Real Coffee” podcast, he called both White people and the press “hate groups.”

“Only the dying leftist Fake News industry canceled me (for out-of-context news of course),” Adams tweeted Thursday. “Social media and banking unaffected. Personal life improved. Never been more popular in my life. Zero pushback in person. Black and White conservatives solidly supporting me.”

We have yet to see whether Adams' financial acumen has the same results as his cultural sensitivity. He reports his income has collapsed, but he did make a lot of money back when he wrote funny cartoons.

It's sad, really, but I did tell you so.

Welcome to stop #82 on the Brews and Choos project.

Brewery: Art History Brewing, 649 W. State St., Geneva
Train line: Union Pacific West, Geneva
Time from Chicago: 72 minutes (Zone H)
Distance from station: 1.0 km

Art History Brewing opened in the summer of 2020, a few months after their planned March 15th opening (oops). They got through the pandemic in part by brewing for Hopleaf, the excellent Belgian-inspired restaurant less than a kilometer from my house. But for whatever reason, none of their beers exactly knocked my socks off. Plus, I really didn't like the brewery's location in a strip mall along the stroad that cuts through one of the cutest small cities in Illinois.

I wound up trying five beers, because I actually couldn't finish one of the ones you see above. The Gravitace Pils (5.1%, 38 IBU) was pretty good: not too malty, good hop balance, clean and refreshing, something I would order again. I also liked the ESB (5.3%), which tasted like it came straight from London. But the Isla New England IPA (7.2%, 18 IBU) just didn't work for me. It was way too sweet, with a bizarre banana note thanks to the isoamyl acetate left over from the brewing process. The Ceres American Pale (7.3%, 65 IBU) was like whiplash after the Isla, with huge hops and a bitter finish that I liked, but wouldn't make it my go-to. I tried one more, the Lincoln Highway IPA (5.8%, 40 IBU), that had a good vanilla-malt flavor over a strong hoppy foundation.

I think Geneva is worth the trip, especially the historic district just north of the train station. And I guess I'd go back to Art History, but I probably wouldn't make it past Stockholm's on my way there.

Beer garden? Yes
Dogs OK? Outside only
Televisions? Yes, unavoidable
Serves food? Pretzels, but BYOF allowed
Would hang out with a book? Yes
Would hang out with friends? Yes
Would go back? Maybe