The Daily Parker

Politics, Weather, Photography, and the Dog

Post-Schengen eerieness

The Atlantic's CityLab blog brings us the work of Ignacio Evangelista, who has photographed European border crossings abandoned after the Schengen treaty came into effect:

Evangelista has photographed many of these checkpoints over the last couple of years. Aptly titled "After Schengen," his project reinforces the suddenness with which many of Europe's border crossings went silent. Brightly colored vehicle gates remain at some boundaries, but they stand open, implying a warmer "Welcome," rather than "Stop!" (the latter can still be found on weathered signs and asphalt).

Despite the irrationality sometimes associated with national borders, the Schengen Treaty is as much an anomaly as it is an achievement. Many nations within the Schengen Area—Austria, Hungary, Poland, Czech Republic, Spain, France, and others—once represented a web of ambitious empires. The sudden abandonment of border crossings displayed in Evangelista's work, therefore, offers a reminder that Europe is in fact enjoying an historic era of peace.

I love borders. I have an idea for a coffee-table book, exploring borders and boundaries at various levels of abstractions, that I may just do someday.

One of these borders will surely be in the Baltics. The weirdest border checkpoint I saw was in Talinn, Estonia, at the ferry terminal. Finland and Estonia are both in the Schengen zone, but 25 years ago they were practically different civilizations.

The Lower West, then and now

CityLabs has a cool pictoral on the evolution of Manhattan's Meatpacking District from the mid-1980s to now:

From the High Line to the expensive shops and restaurants along the old cobblestone streets, everything looks quite different from when Brian Rose first brought his camera to the Meatpacking District. A young photographer in 1985, Rose spent a few days that winter walking around the area in the mid-afternoon, after the meat markets closed and before the sex clubs opened. Right around the time Rose took his photos, one of those clubs, The Mineshaft, was shut down by the city for permitting "high-risk sexual activity" during the worsening AIDS epidemic.

Rose never got around to printing the film from that shoot—until 2012. Blown away by what he saw when compared his photographs to those same streets and buildings today, he decided to re-create each shot. The result is an incredible set of then-and-nows in the new book Metamorphosis: Meatpacking District 1985 + 2013.

The neighborhood's transformation is epic, especially if you spent time in New York over the last 30 years.

Two Gentlemen of Verona, second set

Three more photos from Sunday's publicity shots.

Shaina Summerville and Stephen McClure:

Shaina Summerville and Parker, behaving for about 30 seconds:

Zach Blackwell, Shaina Summerville, and Stephen McClure:

My direction for that last one was, "Imagine something horrible. It's Sarah Palin. She's got a gun. She's coming toward you. And she's naked." They look truly horrified, don't they?

That seemed to go well...

The deployment, I mean. Everything works, at least on the browsers I've used to test it. I ran the deployment three times in Test first, starting from a copy of the Production database each time, so I was as confident as I could be when I finally ran it against the Production database itself. And, I made sure I can swap everything back to the old version in about 15 minutes.

Also, I snuck away to shoot publicity photos for Spectralia again, same as last year. I'll have some up by the end of the week, after the director has seen them.