The Daily Parker

Politics, Weather, Photography, and the Dog

Is Moneyball killing a game show?

Washington Post columnist Charles Lane sees a disturbing connection between Jeopardy! champion's streak on the show and the data-driven approach that has made baseball less interesting:

People seem not to care that Holzhauer’s streak reflects the same grim, data-driven approach to competition that has spoiled (among other sports) baseball, where it has given us the “shift,” “wins above replacement,” “swing trajectories” and other statistically valid but unholy innovations.

Like the number crunchers who now rule the national pastime, Holzhauer substitutes cold, calculating odds maximization for spontaneous play. His idea is to select, and respond correctly to, harder, big-dollar clues on the show’s 30-square gameboard first. Then, flush with cash, he searches the finite set of hiding places for the “Daily Double” clue, which permits players to set their own prize for a correct response — and makes a huge bet. Responding correctly, Holzhauer often builds an insurmountable lead before the show is half over.

Dazed and demoralized opponents offer weakening resistance as his winnings snowball. And, with experience gained from each new appearance on the show, Holzhauer’s personal algorithms improve and his advantage grows.

In short, this professional gambler from Las Vegas does not so much play the game as beat the system. What’s entertaining about that? And beyond a certain point, what’s admirable?

Of course, Holzhauer’s strategy could not work without his freaky-good knowledge of trivia, just as baseball’s shift requires a pitcher skilled at inducing batters to hit into it. The old rules, though, would have contained his talent within humane channels. As it is, he’s set a precedent for the further professionalization of “Jeopardy!,” a trend which began 15 years ago with 74-time winner Ken Jennings.

If you enjoy watching nine batters in a row strike out until the 10th hits a homer, you’re going to love post-Holzhauer “Jeopardy!”

Also interesting is the timing: Charles van Doren died April 9th. He won the equivalent of $1.2m in 1957 by cheating on a game show.

Agents of what, exactly?

Most members of the Writers Guild of America (WGA) last week fired their agents because of the intrusion of finance into their business. Large agencies, some owned by finance companies and no longer partnerships, no longer appear to represent the writers they claim to represent, as the agents have interests on both sides of many deals.

The Association of Talent Agents (ATA) has responded to all these principals firing their agents with questionable logic:

For those of you who haven’t been following, the WGA (for which, until recently, my husband worked as a magazine editor) wants the talent agencies to sign a new code of conduct to ensure the agents do their jobs — getting their clients the best deals possible — and that’s it. No using clients as part of an overall package deal or working with affiliated production companies; too often, the WGA contends, these practices result in writers getting shafted.

The ATA says the agencies will not be signing any such code because the WGA is not the boss of them and writers actually benefit from packaging, which has been going on for years.

So the WGA instructed its members to fire their agents, which almost all of them have, and announced it is suing the four major talent agencies.

In response, the ATA accused the WGA of trying to throw Hollywood into “predetermined chaos” and instructed its members to keep a list of any writers trying to get work without using an agent because, according to ATA reps, this is illegal.

So just to recap: Writers are unhappy with how major talent agencies have been repping them. When confronted with this, the agents refused to make any changes, so the writers fired them. Now the agencies are saying the writers cannot do this because, according to them, writers are legally bound to be represented by people who they believe are shafting them.

Even by Hollywood standards, this is Absolutely Insane.

It's going to be interesting as lawyers and accountants start representing writers.

Note: I'm still going through photos from this weekend, so I'll have the official Park 29 and Park 30 postings up today or tomorrow.

Don't air the speech

James Fallows argues that television networks have clear precedents as well as unprecedented reasons not to air President Trump's speech tonight:

The challenge for the news media was to “make the important interesting,” rather than to search for the purely interesting. Car-crash footage, or the last seconds of a sudden-death playoff game, will always be more eye-catching than reports on a drought, or on sexual-harassment patterns, or emergency-room standards, or a million other topics. But things that are merely interesting will never lack for coverage. The definition of news is that it attempts to explain things that matter, things that a democratic society needs to know about in order to make sane decisions.

Donald Trump has been the most entertaining figure on the public stage since he came down the golden escalator in 2015. TV news, in particular, has therefore not been able to resist showing him (and his rallies) or talking about him. It’s the civic equivalent of seeing that 9-year-olds are guzzling down the Mountain Dew and asking for more Spam. Trump’s going live? Let’s switch to the White House! This needs to change.

Trump just lies. He doesn’t know, or he doesn’t care, about the difference between claims that are true and those that are obviously made up. (Daniel Dale, of the Toronto Star, has indefatigably catalogued Trump’s lies, at a rate of more than 100 per week.) Maybe 4,000 “terrorists” have been apprehended at the southern border? Maybe zero? Who can ever really know? Over the past week Trump has claimed that former presidents “privately” told him they supported building his wall. All four living ex-presidents have taken the unusual step of denying that they said any such thing.

The network executives’ position has a lot in common with that of the Senate Republicans. Each group knows with perfect clarity what Trump is actually doing. The Senate Republicans know that Trump is using the wall as a distraction and life raft. They know that because they had unanimously approved, by voice-vote, a plan to keep the government open, with no mention of the wall, before Trump panicked in the face of criticism from Ann Coulter and Fox News. They could pass that resolution again tomorrow—but they won’t speak up in public, so fearful do they remain of being criticized, too. For their part, the network executives know exactly what Trump will do if given air time. (Though they also realize that the formal Oval Office speech is Trump’s weakest venue. He’s not good at reading prepared texts, with his trademark ad-libs of “that’s so true” when he encounters lines he had clearly not seen before.) But they are giving it to him.

They were not afraid of criticism for turning down Obama. They are afraid about what would happen if they turned down Trump. You can think of lots of explanations. But the difference is clear.

I won't watch or listen to the speech live because I have other plans, and because Fallows is right. Why listen to half an hour of untruths coming from a person manifestly unfit to sit behind the desk he'll be sitting behind?

Daily Parker bait, times 3

Of course I'm going to blog about these three articles.

First, former George W. Bush speechwriter and lifelong Republican Michael Gerson looks at the culture of celebrity that surrounds the President and says "our republic will never be the same:"

The founders generally believed that the survival and success of a republic required leaders and citizens with certain virtues: moderation, self-restraint and concern for the common good. They were convinced that respect for a moral order made ordered liberty possible.

The culture of celebrity is the complete negation of this approach to politics. It represents a kind of corrupt, decaying capitalism in which wealth is measured in exposure. It elevates appearance over accomplishment. Because rivalries and feuds are essential to the story line, it encourages theatrical bitterness. Instead of pursuing a policy vision, the first calling of the celebrity is to maintain a brand.

Is the skill set of the celebrity suited to the reality of governing? On the evidence, not really.

Second, Crain's business columnist Joe Cahill calls out Eddie Lampert's offer to buy Kenmore for $400m as a call to put Sears into hospice care:

There's plenty to worry about in the latest letter from Lampert's ESL Investments. First, Lampert is offering just $400 million for Kenmore, supposedly the company's crown jewel. When he first floated the idea of buying the household appliance brand in April, estimates pegged the likely selling price at $500 million or more. Maybe the lower bid is intended to elicit higher offers from potential third-party acquirers. Or it may signal that nobody else is interested and ESL is angling for a bargain.

Second, the offer is both nonbinding and contingent on ESL finding a third-party equity backer to finance the purchase. The letter says ESL is "confident" it can find such a backer. In other words, billionaire Lampert isn't willing to risk his own money buying Kenmore. This is consistent with his recent reluctance to raise his bet on Sears Holdings as a whole. As I've written before, he could easily take the company private—at the current market capitalization, the 46 percent he doesn't already own would cost less than $100 million—and capture the full upside of a turnaround. He's shown no interest in doing so.

And finally, on a happier note, the Chicago Tribune lists eight bars where people can go to read:

After living in the United Kingdom, freelance book publicist Jonathan Maunder turned to Chicago’s literary greats to connect to his adopted city. He remembered a night last year visiting Rainbo Club, the bar favored by “Chicago, City on the Make” author Nelson Algren.

“As I stepped out of the bar, a little drunk on both a couple of pints and Algren’s beautiful writing, I stood for a moment under the red neon of the Rainbo Club sign, which was reflected on the just rained on street, and felt a powerful connection to the place I was in and its history,” he said.

[He recommends] Kopi, A Traveler’s Cafe
5317 N. Clark St., 773-989-5674

A friendly, relaxed cafe/bar, which always has people and a good atmosphere (and sometimes accordion players) but never feels overly busy and hectic, in a way that might be distracting from reading.

Given that Kopi is a 20-minute walk from my house, I may just stop in this weekend.

I was a little bummed that the Duke of Perth didn't make the list, though.

Late afternoon reading

Meetings and testing all day have put these on my list for reading tomorrow:

And with that, it's the weekend.

The Thick of It is now

In a column last summer, UC Berkeley professor Ned Resnikoff saw Armando Ianucci's British sitcom The Thick of It as a warning:

As scathing as The Thick of It can be in its depiction of craven, self-interested political behavior, it’s difficult to imagine any of its protagonists engaging in criminality on a scale equal to what Trump’s inner circle may have committed.

Nor can The Thick of It capture the dizzying instability of American politics in 2017, though it has occasionally gotten close. The conventions of the sitcom genre usually demand that, for all the frantic activity in one episode or another, very little ever really changes; the prime minister might get ousted and the opposition may become the governing party, but the political system itself remains static. It’s barely five years later that we understand just how fragile that apparent stasis was all along.

Indeed, one can imagine a contemporary version of The Thick of It in which its starring hacks cross the murky boundary between unethical behavior and blatantly illegal acts,the usual unprincipled goons suddenly finding themselves locked into a partnership of convenience with committed racists; and in which the collateral damage they wreak has expanded to institutional and geopolitical dimensions. While that show does not yet exist, one can see the seeds of proto-Trumpian government-as-PR-crisis in old Thick of It episodes, like a warning we all failed to heed.

Yes. We're longing for the halcyon days of Malcolm Tucker. Welcome to the Trump Administration.

Mid-week link roundup

Lots of things popped up in my browser today:

And now, back to work.

Setting up lunchtime reading

Over the weekend I made a couple of minor updates to Weather Now, and today I'm going to spend some time taking it off its Azure Web Role and moving it to an Azure Website. That will (a) save me money and (b) make deployments a lot easier.

Meanwhile, a number of articles bubbled up overnight that I'll try to read at lunchtime:

Back to Azure deployment strategies.

Link round-up

I've got a lot going on today, with a final rehearsal tonight before Saturday's dress for Carmina Burana (get tickets here) and two business trips in the next 10 days. But there are a few articles to note in today's media:

Back to work now.