A diverse flock this afternoon:
Your coder will now resume coding his previously-coded code.
Queued up a few articles to read after work today:
Now, off to find food, then back to the mines.
Most members of the Writers Guild of America (WGA) last week fired their agents because of the intrusion of finance into their business. Large agencies, some owned by finance companies and no longer partnerships, no longer appear to represent the writers they claim to represent, as the agents have interests on both sides of many deals.
The Association of Talent Agents (ATA) has responded to all these principals firing their agents with questionable logic:
For those of you who haven’t been following, the WGA (for which, until recently, my husband worked as a magazine editor) wants the talent agencies to sign a new code of conduct to ensure the agents do their jobs — getting their clients the best deals possible — and that’s it. No using clients as part of an overall package deal or working with affiliated production companies; too often, the WGA contends, these practices result in writers getting shafted.
The ATA says the agencies will not be signing any such code because the WGA is not the boss of them and writers actually benefit from packaging, which has been going on for years.
So the WGA instructed its members to fire their agents, which almost all of them have, and announced it is suing the four major talent agencies.
In response, the ATA accused the WGA of trying to throw Hollywood into “predetermined chaos” and instructed its members to keep a list of any writers trying to get work without using an agent because, according to ATA reps, this is illegal.
So just to recap: Writers are unhappy with how major talent agencies have been repping them. When confronted with this, the agents refused to make any changes, so the writers fired them. Now the agencies are saying the writers cannot do this because, according to them, writers are legally bound to be represented by people who they believe are shafting them.
Even by Hollywood standards, this is Absolutely Insane.
It's going to be interesting as lawyers and accountants start representing writers.
Note: I'm still going through photos from this weekend, so I'll have the official Park 29 and Park 30 postings up today or tomorrow.
Today actually had a lot of news, not all of which I've read yet:
And now, good night to February.
I've had a lot going on this week, including seeing an excellent production of Elektra at Lyric Opera of Chicago last night, so I haven't had time to read all of these articles:
And I shall begin reading these...soon. Maybe tomorrow. Sigh.
...is TV Tropes. Try to get out in less than five minutes. I dare you.
Late afternoon on Tuesday, with so much to do before the end of the week, I can only hope actually to read these articles that have passed through my inbox today:
And now for something completely different tonight: Improv and Arias. Which is why I wonder whether I'll actually get to read all of the articles I just posted about.
Thirty-five years ago, this was the trailer for one of my favorite movies from childhood:
This is what it might look like today:
(h/t Deeply Trivial)
Watch the "Half in the Bag" review of Last Jedi:
Yesterday started with a performance on local television and ended with a three-hour rehearsal and midnight showing of Star Wars. I'd already planned to go into work late today, but Parker didn't eat dinner last night and he refused breakfast this morning, so I'm waiting to see if I can get him to the vet.
With that and other things up for grabs today, plus two more performances this weekend, posting might suffer a bit.