The Daily Parker

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End of the story; or, why Noah isn't the only one who needed an arc

Just a brief note, when I should be sound asleep. I caught up on Aaron Sorkin's Newsroom tonight, and realized that the episode ended the story.

I could be wrong. I called my dad immediately, asking for some assurance that I wasn't insane about it ending all three* of the basic conflicts that make up the story, but he hadn't seen it yet, as he's two time zones west of me.

So, all you've got until I get his reflections, dear readers, is an amateur opinion. But as far as I can see, the story has nowhere to go after tonight.

I'll very likely address this later in the week with spoilers. For now, I welcome—I encourage—arguments against my hypothesis.

Tonight's show was the season finale. But for expletive's sake, was it also the series finale? Maybe my confusion was I didn't realize it was a season finale. So all the threads coming together seemed like the end to me—but I could be wrong.

My aforementioned dad reminds me that show business is best expressed thus:

Show

business

Of course. Yet I like stories, and I like good writing, and I like getting carried away. From tonight's Newsroom, I worry that it's another four years until I get to watch Aaron Sorkin's writing again.

I would have hoped the business let the show go on for another season. Except...I think the story ended tonight. And no matter what Sorkin might do for a third season, it will have to be a different story. I'm sure the suits know that. They may not have a fiber of creativity to share amongst them, but they know damn well when the party's over.

All I can conclude from this is that Sorkin needs to write features. Not TV; features. He can't keep doing this to his fans in 20 episodes. (Disclosure: I really liked Studio 60. But he really ended it after one season. Is that what happened tonight?)


Will-Mac; Maggie-Jim; Everyone-Reese.

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