The Daily Parker

Politics, Weather, Photography, and the Dog

A pandemic project comes all the way around

On my drive to a day-trip in Michigan yesterday I played Pomplamoose's Best of 2019 EP, in my catalog as #960, purchased 12 June 2020. This was the first album I bought after I began listening to each CD (or digital album) I own in order, a project I began in May 2020.

The catalog ends at #981, the 1979 Broadway recording of Sweeney Todd, that I got last week. But the project technically ended yesterday, even though I'll listen to the last 21 again, since I've only listened to the most recent acquisitions once or twice.

I really thought this would take me less than 3 years. But, then again, I thought the pandemic wouldn't last this long, either...

Post-concert hangover

Every time I perform a major work like a Mozart opera, I'm tired and uncreative for about two days afterward. I often forget this. So yesterday and today are more for recharging than creating, which is fortunate as the story I'm working on at my day job just requires changing a label to a text box and adding a Save button. (I should have all that done in a couple of hours.)

I expect regular posting will resume tomorrow.

Incremental improvements

i just pushed a new build of Weather Now that corrects a problem no one else knew about in the way it managed time zones. The work took about 3 hours over several days this week, sneaking half an hour here and there between rehearsals, performances, and my day job.

I also worked on some code to interface with my home weather station. I've gotten it to download and parse reports from my Netatmo devices, and to refresh (and securely store) the API access token. I figure it'll take about 3-5 more hours to hook that code into the Azure Functions that download and store weather reports from other sources.

Today, however, I have one more performance of Die Zauberflöte. So...maybe next weekend?

More punditry about the indictments

Just a couple this morning as I have another long day of Die Zauberflöte rehearsals today:

It strikes me that the opera I'm in tomorrow seems less fantastic than the XPOTUS's supporters coming around to reason. Where's our Sarastro?

How is it already dinner time?

I had a rehearsal for next week's Mozart performances this morning, then I walked the dog and went to the grocery store. Somehow it's almost 6pm now.

One quick thing: Good Omens Season 2 hit yesterday, and I watched the first three episodes. In episode 2, starting at 22:35, David Tennant has a scene with someone he knows really well. And in episode 3, at 28:33, look carefully at the manufacturer's name in the close-up; it's a lovely nod to Sir Terry.

I might not post tomorrow as I'm taking a day trip to Michigan. Enjoy the weekend.

Papagena lebe!

I'm just over a week from performing with the Chicago Symphony Orchestra at Ravinia in Mozart's Die Zauberflöte, so as I try to finish a feature that turned out to be a lot bigger than I thought, I'm hearing opera choruses in my head. Between rehearsals and actual work, I might never get to read any of these items:

Finally, New York City (and other urban areas) are experiencing a post-pandemic dog-poop renaissance. Watch where you step!

And now, I will put on "Dank sei dir Osiris" one more time.

Sinéad O'Connor dead at 56

The Irish Times reported this morning that the controversial singer and author of a hunk of my university-days soundtrack died unexpectedly yesterday:

In a statement, the singer’s family said: “It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time.”

Ms O’Connor is survived by her three children. Her son, Shane, died last year aged 17.

Ms O’Connor converted to Islam in 2018 and changed her name to Shuhada Sadaqat, though continued to perform under the name Sinead O’Connor. In 2021, Ms O’Connor released a memoir Rememberings, while last year a film on her life was directed by Kathryn Ferguson.

She will be missed.

Could our 12+-year wait finally end?

On my way downtown to hear Brahms' Ein Deutsches Requiem with some friends, I saw this notice, hung with a tragicomic level of incompetence, at the Ravenswood Metra station's 12-year-old "temporary" inbound platform:

What? We get our "new" platform that has been almost completed for the past 24 months on August 1st?

There’s only one brief note on the station info page, but otherwise…nothing. No ribbon cutting, no acknowledgement that the platform is opening 6 years late, no recognition that former Illinois Governor Bruce Rauner (R) cut funding to the project for four years, no one taking any responsibility for the 10-month delay between finishing almost everything and getting “the tiles” or whatever they were waiting for since last summer.

If they open the thing, I'll post photos on the 2nd. If they don't, I'll post derision.

In any event, the Grant Park Symphony had a wonderful performance of one of my favorite choral works, in perfect weather:

And walking back to the train, I was reminded how cool our architecture was in the 1920s:

Three notable deaths

An entertainer, a criminal, and an architect died this week, and we should remember them all.

The most notable person to die was singer Tony Bennet, 96:

His peer Frank Sinatra called him the greatest popular singer in the world. His recordings – most of them made for Columbia Records, which signed him in 1950 – were characterized by ebullience, immense warmth, vocal clarity and emotional openness. A gifted and technically accomplished interpreter of the Great American Songbook, he may be best known for his signature 1962 hit “I Left My Heart in San Francisco.”

In later years, he memorably dueted on the standard “Body and Soul” with Amy Winehouse, and released a full-length duet album with Diana Krall and a pair of recordings with Lady Gaga. Even after the revelation in early 2021 that he had been diagnosed with Alzheimer’s, he remained active.

Kevin Mitnick, 59, also died this week, but he won't be quite as missed as Bennet:

Described by The New York Times in 1995 as “the nation’s most wanted computer outlaw,” Mr. Mitnick was a fugitive for more than two years.

He was sought for gaining illegal access to about 20,000 credit card numbers, including some belonging to Silicon Valley moguls; causing millions of dollars in damage to corporate computer operations; and stealing software used for maintaining the privacy of wireless calls and handling billing information.

Ultimately, he was caught and spent five years in prison. Yet no evidence emerged that Mr. Mitnick used the files he had stolen for financial gain. He would later defend his activities as a high stakes but, in the end, harmless form of play.

At the time of Mr. Mitnick’s capture, in February 1995, the computer age was still young; Windows 95 had not yet been released. The Mitnick Affair drove a fretful international conversation not just about hacking, but also about the internet itself.

Today, 20,000 credit card numbers wouldn't even rate a single paragraph in the Times. How things have changed.

Finally, Chicago architect Richard Barancik, 98, left his mark on the world not just by designing iconic bowling alleys, but also as the last of the so-called "monument men" who repatriated art that the Nazis stole in the 1930s and 40s:

He was the last-known surviving member among nearly 350 "Monuments Men" who recovered art looted in Europe during World War II and shot to prominence with a 2014 film directed by George Clooney and starring Matt Damon, Bill Murray and Cate Blanchett. Barancik hadn't talked much about the assignment before the movie, his daughter said, but once it came out, he was inundated by letters from schoolchildren and by autograph seekers and "World War II nuts."

By then, he had retired from an architecture career that paralleled the Gold Coast's post-war residential development, with high-rises sprouting on Lake Shore Drive and farther inland, readying the Near North Side for the yuppie invasion. His projects included 990 and 1212 N. Lake Shore Drive, office buildings 142 and 211 E. Ontario, and the 44-story and 73-townhouse development at Eugenie and Wells streets in Old Town.

Barancik also pursued suburban office complexes like the East-West Tech Park in Naperville and Woodfield Lakes in northwest suburban Schaumburg, and he designed Chicago Public Schools' Willa Cather Elementary School on the West Side, his daughter said. His bathhouses at Adeline Jay Geo-Karis Illinois Beach State Park near Zion feature wavelike undulating roofs.

In media vita morte sumus. Requiescat in pacem.