This guy, who shared his Oscar ballot with Hollywood Reporter:
“I liked Life of Pi, but I’m suspect of any nominee that used a lot of CGI, since you can manipulate the photography so much. Lincoln was way too milky for me; I have that problem with almost everything Janusz Kaminski does. The Anna Karenina cinematography was totally unimpressive. Django Unchained was Robert Richardson, and he, in general, does far too much top-lighting for me. I’m voting for Skyfall because I want Roger Deakins to win an Oscar. Now, I’m a person who knows that Roger Deakins shot Skyfall, but a lot of people in the Academy will have no clue who did because they don’t tell you on the ballot; in fact, they won’t vote for it because it’s a James Bond film -- you know, ‘How can you give James Bond an Oscar?’ But they should go back and rewatch that opening shot where Bond is approaching the camera, and he’s out-of-focus and he slams into focus in a way that I’ve never seen done before. I also really love the way that Deakins plays with dark and light in the film.”
“This is a preferential system. I’m putting Amour at No. 9 because I’m just pissed off at that film. Beasts of the Southern Wild is a movie that I just didn’t understand, so that’s my No. 8. Les Miserables goes in seventh place — it’s not just the most disappointing film of the year but the most disappointing film in many years. Above that I’m putting Silver Linings Playbook, which is just a “blah” film. Django Unchained will go into my fifth slot — it’s a fun movie, but it’s basically just Quentin Tarantino masturbating for almost three hours. Next up is Life of Pi because of how unique it is and for holding my attention up until its irritating ending. Argo is gonna go in third place, but I don’t want it to win because I don’t think it deserves to win and am annoyed that it is on track to win for the wrong reasons. Actually, come to think of it, do we have to put a film in every slot? Because what I want is for my best picture choice to have the best possible shot, so why even give any support to the others? [He has his assistant call the Oscar voting helpline, finds out that voters can leave slots blank and promptly removes all of the aforementioned selections.] I’m basically OK with one of two films winning. Lincoln is going in my second slot; it’s a bore, but it’s Spielberg, it’s well-meaning, and it’s important. Zero Dark Thirty is my No 1.”
He may not have anything in common with any other Oscar voter (there are almost 400), but it's refreshing to hear the honesty—and the depth of knowledge.