VSLive: Day 3

I believe I figured out why the conference disappointed me. I last went to VSLive in 2003, when I had just started to get really good at my craft. The sessions at that conference hat a lot of information that I hadn't encountered before, and taught me a lot about where I should look to keep fresh and informed.

Four years of keeping fresh and informed, however, has pushed me well past where I was in 2003. So this year's sessions, despite being just as informative as the 2003 offerings, turned out not to be as useful to me.

There are a couple of other factors, some of which I previously identified:

• The conference is in San Francisco, one of my favorite cities on earth;
• Except for Monday, the city has had perfect spring weather;
• I haven't slept especially well, which colors my perceptions and moods.

The last point bears emphasis. I truly love the Hotel California, and I will stay there again the next time I'm in San Francisco; however, I will endeavor not to stay on the Geary Street side. It's too damn loud. Maybe because it's only a block away from the theater district, every night we had some new musical performance:

• The symphonic "March of the Garbage Trucks" started each day at 5:30am.
• Last night around 3am, we got the recitative and aria "O Too-Quiet Street / I am the very model of a modern crazy homeless man," followed by "Officer! Officer!" featuring the SFPD Men's Chorus.
• And who could forget Saturday night's rousing operetta in three acts, Happy Birthday, Fratboy, that also included a guest appearance from the SFPDMC?

Meanwhile, people on the courtyard—or even on the Jones Street side—swear they heard none of this. So much for Room 404.

I'm now going to the post-conference workshop. At least that's my plan; coming out of a miserable Chicago winter, today's sunny, 20°C weather sounds a lot more appealing than a windowless room and "Windows Workflow: a Gentle Introduction."