The Daily Parker

I bought my first CD on 8 May 1988, a little more than 32 years ago: Mozart's Mass in C Major K.317, performed by the Bavarian Radio Orchestra and Chorus under Eugen Jochum. I've bought a few more since then. And not all of them have gotten the love they deserve.

So, since I'm home anyway, I decided two weeks ago (on the 8th, no surprise) to listen to all of them again. After two weeks I've gotten up to #41, Beethoven's "Emperor" concerto, by the Vienna Philharmonic with director Hans Knappertsbusch and pianist Clifford Curzon. This immediately followed #40, the Beatles' Help!, and begins a string of classical CDs (Beethoven again, Brahms, Dvorak, Mozart, Debussy) before hitting a classic Simon & Garfunkel album (Bookends) at #47.

Listening to all of them in order really brings me back to high school and college. Early on, I concentrated on filling up my CD library with the essentials. So the early CDs bounce around the classical canon (Beethoven, Brahms, Haydn, Mozart) and the popular canon (The Beatles, Billy Joel, Simon & Garfunkel, Cat Stevens), and things really don't branch out until the early 1990s when friends started getting me into more modern stuff.

Keep in mind, I had vinyl and cassettes back home, so some of these purchases and gifts replaced the obsolete formats and also let me listen to them in my dorm, where I had a small CD boom box that could make mix tapes but no turntable or any other decent equipment. I also worked at the campus radio station, where I had access to just about anything I could think of. So the eclectic and somewhat narrow list of titles for my first hundred or so CDs wasn't all I listened to.

Now, 32 years later, I don't buy CDs much. In fact, a lot of the later titles in my "CD" library are actually purchased downloads and have no physical form at all beyond the array of magnetic particles on various hard drives and backup disks. Those are a long way off, however; I'm only up to October 1988.

Updates as the situation warrants.

Illinois has had a stay-at-home order in effect for over seven weeks now, though last week the state and county opened up forest trails and other outdoor activities that allow for proper distancing and discourage people clumping together in groups. So today I drove up to the northern suburbs to the site of the largest Civilian Conservation Corps project undertaken during the agency's run from 1933 to 1940.

It was good to get outside. Not my fastest-ever pace, but still respectable, and somehow I got over 10,000 steps just on the walk.

And when I got back, this was waiting in my inbox:

Happy May Day! Or m'aidez? Hard to know for sure right now. The weather in Chicago is sunny and almost the right temperature, and I have had some remarkable productivity at work this week, so in that respect I'm pretty happy.

But I woke up this morning to the news that Ravinia has cancelled its entire 2020 season, including a performance of Bernstein's White House Cantata that featured my group, the Apollo Chorus of Chicago. This is the first time Ravinia has done so since 1935.

If only that were everything.

First, via Josh Marshall, former Obama Administration disaster-preparedness expert Jeremy Konydndyk lays out the facts about our plateau (60,000 excess weekly deaths) and how the Trump Administration continues to do nothing to help us slow Covid-19 deaths.

Next, all of this:

• The Experimental Aviation Association cancelled AirVenture 2020, the huge annual fly-in that brings thousands of airplanes to Oshkosh, Wis. (Bonus: video of a brand-new Airbus A-380 landing at the small Wisconsin airport in 2009.)
• The New Republic on "the morbid ideology behind the drive to reopen America."
• Republican legislatures and governors made it harder to get unemployment benefits in general, which makes it needlessly difficult to get them in this current crisis.
• Trump whipped out his "very good people" trope to support the armed protesters who stormed the Michigan State Capitol this week.
• Paul Krugman: "Crashing economy, rising stocks: What's going on?"
• Megan Garber: "Groundhog Day was a horror movie all along."
• Bruce Schneier says Covid-19 contact tracing apps "have absolutely no value." Only "ubiquitous, cheap, fast, and accurate testing" will make a difference.
• Alexandra Petri: "Heroes, we cannot possibly repay you for your sacrifice, so we will make no effort to." ("We will give you everything except PPE, and we will offer you all the thanks in the world but an increase in compensation.")

But some good news:

• Canada will ban assault-style weapons in the wake of the Nova Scotia shooting last week. ("Canadians deserve more than thoughts and prayers," he said.)
• Henry Olsen: "Every single piece of data aligns: Trump is behind and dropping." (David Graham agrees.)
• David Brooks: "Why the Trump ploy stopped working."
• Dr Anthony Fauci showed us how scientists convey calm optimism.
• Tampa Bay Times columnist Leonard Pitts: "I will not die of stupid."
• Chicago won its latest fight in the 7th Circuit Court of Appeals against Trump's order to cut off federal funds to sanctuary cities.
• Karen Attiah explains why #Karen jokes aren't racist or sexist.

Finally, while alarming in its own right, the record water levels in Lake Michigan (4 months in a row now) have exposed some historic shipwrecks.

Welcome to day 31 of the Illinois shelter-in-place regime, which also turns out to be day 36 of my own working-from-home regime (or day 43 if you ignore that I had to go into the office on March 16th). So what's new?

Oy:

• Former Republican National Committee chair Michael Steele says America "has been abused by this president."
• George Packer says "we are living in a failed state."
• Josh Marshall calls Covid-19 "an extinction-level event for news."
• The Trump International Hotel has asked its landlord, the Trump Administration, for a $3m rent abatement. (Who could have foreseen this level of corruption?)
• Illinois governor JB Pritzker believes Covid-19 cases won't peak until mid-May, while Chicago mayor Lori Lightfoot says she expects the stay-at-home order to stretch into June.
• Donald McNeil believes getting the world back to normal will take a lot more time and effort than most people believe.
• Blogger Gerald Mertens lays out an exit strategy for orchestras that we could apply to other arts organizations.
• Amy Klobuchar wants to be vice president, and she had a good audtion.
• The City of Chicago has begun a massive donation drive for masks.
• Naomi Fry embraces "the chaotic side of Zoom."
• Scott Hanselman says "quarantine work !== remote work."

Finally, via Bruce Schneier, the Dutch intelligence service had an unintentional back door into several other countries' communications. (Scheier says, "It seems to be clever cryptanalysis rather than a backdoor.")

Illinois' doubling time for Covid-19 cases has increased from 2.1 days to 7.9 days, as of yesterday.

In other news:

• The Times has a complete timeline of how the White House missed all the warnings about the disease until it became too big to lie about.
• George Conway places the blame for Wisconsin's voting fiasco last Tuesday on the state legislature, not on the courts.
• Thirsty? How about a Covid-19–themed drink?
• NPR interviews a psychiatrist about how single people are coping with quarantine.
• Food & Wine accuses GrubHub of gouging restaurants to take advantage of the pandemic.
• Science knows a lot more about what knocked Uranus on its side.

And finally, I'll leave you with this touching performance of Tears for Fears' "Mad World" by its composer, Curt Smith, and his daughter Diva:

An Andy Borowitz bit from last year is making the rounds again: "Trump Comes Out Strongly Against Intelligence." More evidence of why that's true after these two videos. First, the Ohio Department of Health demonstrates social distancing:

Second, the Lincoln Project, a Republican organization headed by George Conway, has put out this ad:

And now the roundup of horror promised above:

• Jonathan Chait points out the obvious hypocrisy behind the president's ranting about mail-in ballots.
• Of course, even the president's allies "know he has failed," and his public whining about the impeachment distracting him kind of reinforce that point.
• Illinois governor JB Pritzker released a report estimating the pandemic may wipe out 15% of the state's budget this year alone.
• Kansas governor Laura Kelly (D) sued the Republican-dominated legislature in the state's supreme court today to reinstate an order against public gatherings overturned by a legislative committee in a party-line vote.
• Parties people held in early March wound up killing people.
• Susan Glasser finds out why the United States—the most powerful nation on Earth—wound up with nurses wearing garbage bags.
• David Rothman in MIT Technology Review says we can stop covid-19 and save the economy.
• Stanford professor Walter Scheidel explains "why the wealthy fear pandemics."
• NBC's Denise Chow shows how the pandemic messes with our flight-or-fight responses.

Finally, 50 years ago today, Paul McCartney announced the Beatles had broken up.

Oh wait: here's another cool video.

Just a few articles of note today:

• The City of Chicago urges residents to call 311 to report non-essential business remaining open.
• President Trump admitted on "Fox & Friends" this morning that adopting common-sense election reforms would mean "you'd never have a Republican elected in this country again." (Unless, I suppose, they changed their policies to match the mainstream, right?)
• The Times reports on General Motors' efforts to produce 2,000 ventilators a month (an order-of-magnitude change from now) even as the president slagged the company on Twitter.
• Jennifer Rubin points out that "Trump's narcissism has never been more dangerous."
• Richard Florida examines how society will need to change after the current stay-at-home phase of the pandemic passes.

And finally, London took advantage of reduced traffic on March 24th to give the Abbey Road zebra crossing a much-overdue paint job.

The New York Times' chief classical music critic, Anthony Tomassini, gives credit to the person who was Germany's greatest composer, until Bach:

[B]orn in 1585, exactly 100 years before Bach, he is considered the greatest German composer of the 17th century. I hardly knew his music, however, and neither does much of the concert-going public today.

One day, that professor put on a recording of Schütz’s “Die Sieben Worte Jesu am Kreuz,” a setting of Jesus’s final words from the cross, framed by two stanzas of a hymn text. From the start of the poignant Introitus to this austerely beautiful piece, I was hooked.

What grabbed me was the importance Schütz gave to making the German text clear. In faithfully rendering the clipped rhythms and natural cadences of the language, the music taps into the deeper meaning of the words. Schütz drives home the emotions through deliberate repetitions of overlapping phrases. As a devotee of musical theater, I was struck by how Schütz seemed to anticipate the word-setting techniques of Broadway songsmiths.

Later in life, Schütz — who died in 1672, at 87 years old — composed three passions that anticipated those of Bach. These works are affectingly austere. The elegant, supple, quasi-melodious recitatives for the Evangelist and Jesus are unaccompanied; the lucid choral writing is dramatic, but understated. The tenor Peter Schreier, who died last year, recorded all three of the Evangelist roles with the Dresdner Kreuzchor choir, singing with radiant sound and aching sensitivity. I especially love the “St. Matthew Passion.”

I don’t think Bach would mind if, now and then, a performance of his own “St. Matthew Passion” were replaced with Schütz’s. I’d be there.

If you find yourself with extra time on your hands, check out some of Schütz’s works. 

Apollo Chorus assistant director Cody Michael Bradley has put out a series of "Quarantunes" to keep us musical through the social distancing phase of the COVID-19 pandemic. Today's installment was the old Joe Dassin song "Les Champs-Élysées."

New lyrics immediately sprang to mind. Voilà:

Je m'baladais sur l'avenue, le coeur ouvert à l'inconnu
J'avais envie de dire bonjour à n'importe qui
Mais tous les gens, et tous les autres les interdits d'aller dehors
Donc on peut pas dire quelques mots pour deux semaines plus

We just sent this out:

Apollo community,

After much deliberation, and in consultation with Music Director Stephen Alltop, the Elmhurst Symphony Orchestra, and both of our concert venues, we have decided to cancel our concert at St Luke’s scheduled for this Saturday March 14th.

The ESO has agreed that tickets to Saturday’s performance will be honored on Sunday at 3pm at the Elmhurst Christian Reformed Church performance. If you bought a ticket through our online system for Saturday’s performance and provided an email address, we will also be in contact with you directly.

The health of our members, our audience, and our communities is our first priority. We will continue to monitor this situation, and abide by requests from CDC and other government entities. Tonight and on Sunday, we will have hand sanitizer available throughout ECRC, and church staff and ushers will be wearing gloves on Sunday.

Thank you for your support of the Apollo Chorus of Chicago during this difficult time.

Let me just say that the board meeting we had a couple of hours ago had surprisingly little acrimony.

I wrote three versions of the release, one for our members, one for the community at large, and one for our ticketholders. It's been a busy afternoon. And we're still rehearsing tonight for Sunday's performance, just with more hand sanitizer than usual.